Ottilia Top - Schultz Apparel - Two Sewing Sisters

Ottilia Top from Schultz Apparel

We watched Schultz Apparel tease us with fun tops.  Sharing them to her socials, they were adorable!  We know we declared our top phase had come to a close and it was going to be dresses for a while. But then the Ottilia Top appeared.  It has all the great features of a Schultz Apparel Pattern; amazing sleeves and clever construction.  Usually we are apprehensive about wrap tops due to cup size and it not sitting well around the bust but we were excited to give this pattern a try.

Ottilia Top Details

Ottilia is a short wrap top with short vintage inspired puffy sleeves and an extra-long belt that can be tied multiple times around the waist.

This pattern is suited for light to middleweight woven fabric such as a cotton, linen, viscose, tencel or polyester.

We made it in a green and white striped cotton fabric we found in our stash. We don’t remember where it came from but based on the colours it is likely something Nanny picked and we are lucky enough to be able to stitch it up.

Constructing the Ottilia Top

The instructions are easy to follow to construct this folky style dress. The tiered skirt is constructed by joining together gathered rectangles. Instead of needing to print pieces for the rectangular pieces, Schultz Apparel gives the measurements for the rectangles. saving on printing and cutting time (not to mention the environment through the saved pieces of paper!).

The sleeve is constructed with two layers, the other fuller body and stabilising under layer. Initially we cut both out of the striped fabric but because of how strong the stripe as you could faintly the stripe in the under fabric. We recut the lining in a white cotton so

How to line something that has a facing

You might have heard us say before what a fan we are of lining garments. There are a few reasons for this. It gives it a better finish, less exposed seams inside of the garment. It also means that the pressure is not on the outside fabric to side flush again the body and appear flat. The lining provides some extra structure.

Not all garments are lined, some just have facings. This is still a great way to finish a garment, it provides clean edges and they are shaped pieces that follow the contours of the outer shape, they mimic the outer layer. It might feel rebellious to divert from the instructions, it does take confidence to know where you are heading with the garment but it can definitely be done. Here is a bit of guide as to how we go about it.

Cut all of the pattern piece as the instructions say, all the bodice pieces and facing.

Cut the bodice pieces in your lining fabric – the same as the outside

Stitch the pieces together to create the outer shell, lining and facing.

Finish the edge of the facing. We over lock ours in a matching thread.

Garment Construction for Ottilia Top from Schultz Apparel by Two Sewing Sisters

Attach the facing on top of the lining.

You are looking to create to make two shells; the outside and the lining.

The lining should be right side up with the facing also sitting right side up. Think of them as becoming one.

Garment Construction for Ottilia Top from Schultz Apparel by Two Sewing Sisters

Bag out the lining and the outer shell.

Put the right sides together and stitch around the neck line. Cut back the seam allowance and under stitch.

As this is a top around the hemline.

Leave the armholes open.

Garment Construction for Ottilia Top from Schultz Apparel by Two Sewing Sisters

Pull the bodice right side out through the open arm holes.

It will now look like this.

Garment Construction for Ottilia Top from Schultz Apparel by Two Sewing Sisters

You are back to following the instruction booklet

Finish the sleeves.

The Ottilia has a lined sleeve to help hold the puff shape.

Garment Construction for Ottilia Top from Schultz Apparel by Two Sewing Sisters

Tack the head together using the gathering stitch

Pin the sleeve into place and stitching

Finish around the armhole. We over locked the seam allowance.

This will finish off the garment. Enjoy wearing it!

This is what it looks like inside out.

Finished Ottilia Top

The Ottilia Top absolutely lived up to the dream! Can we say again how good Schultz Apparel sleeves are? 

The top is easy to put on, again no fastenings.  The wrap fits through a key hole provided in the instructions.  The fit is great, our worry about wrap tops and dresses was not needed here.  We made an elastic waisted skirt with ruffle to wear with it.  

For us the next time we make it we will lengthen it around 3cm so it reaches the waist.  It gives us the option to be able to wear it work.  Don’t get us wrong, we love the striped version!  But it is more casual than what we could wear to the office.  

If you have been feeling inspired by the Minna or Begonia how about a hybrid? It is definitely going on our make list.  Check out Schultz Apparel mash up on her Instagram.  

Photography Notes

Photographer: Erin Ritchie
Model: Lauren Ritchie
Pattern: Ottilia Top by Schultz Apparel
Fabric: Nanny’s Fabric Stash

Who knows what we were laughing about but it was great.

Magnolia Dress from SOLA Patterns

We really enjoy pattern testing, can you tell? It is exciting to see what pattern companies are exploring in their processes. We think it is a great way to sew a range of different designs and support small businesses.  We are part of the a few groups on Facebook where there are call outs for pattern testers. These are usually from smaller start up companies but is a great way to see what is being developed. 

A few weeks ago, in the Sewing Pattern Testing Group, we saw a post from Danielle Tchao asking for interest for Testers for a new pattern company she was with co-founder Vicky Quan called SOLA Patterns.  The trade drawings of their designs looked really good, which is something we look for. We feel it means the designer has a good technical understanding and that will be reflected in their pattern drafting and design. 

SOLA Patterns was launching a few different designs but we put our hand up to test two of their dress patterns.  The first was the Magnolia Dress and the Laurel Dress which we will share shortly.  

Magnolia Dress Details

Magnolia Dress from SOLA Patterns

The Magnolia design is a shift style dress with two striking sleeve options. There is the voluminous upper sleeve that tapers to highlight a narrow forearm or a pleated petal sleeve. The bodice has a front bust and diamond dart and it is finished at the back with a center back zipper.

Magnolia Dress by Solace Patterns made in Liberty Fabric from Fabric Hoarders by Two Sewing Sisters

This pattern is designed for woven fabrics with a consideration of how you would like your sleeve to sit. Using thicker fabric for the full length sleeves will create quite a lot of volume which could be a fun effect.

We made both versions to explore the pattern style. This is our petal sleeve version in a mid weight woven cotton.

Liberty Orchard Garden Pheasant Forest from Fabric Hoarders

For this project we teamed up with Fabric Hoarders who supplied us with a delightful Cotton Liberty Print. Fabric Hoarders stock a wide variety of the iconic Liberty Fabrics on their website, check out their range here. Liberty Fabric is such a distinctive style and it was great to get to work with such a beautiful fabric.

This is the Orchard Garden Pheasant Forest in the blue colourway. It is 112cm wide and 100% cotton.

We fully lined the dress with a white lining fabric. As the petal sleeves is shaped we finished the raw edge off using a bias tape on the side of the hem.

The fabric we made the Bergonia Dress was also from Fabric Hoarders, you can see our post about that here.

Constructing the Magnolia Dress

Our preference is to have a more fitted style bodice so we would recommend checking out the ease allowed for in this pattern. SOLA Patterns list this on their website so check your measurements again the amount of ease and how fitted you would like the finished dress to be.

We like to line all of our dresses. It helps the outer fabric to sit smoothly and allows for ease of movement so it can slip across the body. The pattern uses and neck facing, it is still an important pattern piece as it means that a little bit of the outer fabric can be used along the neck edge. This is important because event if under stitched it helps to make sure the lining doesn’t show through to the outside.

Inside dress finished for Magnolia Dress by Solace Patterns made in Liberty Fabric from Fabric Hoarders by Two Sewing Sisters

Finished Magnolia Dress

The Magnolia dress is a great style, we loved the sleeve options so much that we made both.  It sits so well in the cotton fabrics and it could also be made in other wovens.   

Photography Notes

Dress Pattern: Magnolia Dress from SOLA Patterns
Dress Fabric: Orchard Garden- Pheasant Forest in blue from Fabric Hoarders
Photographer: Erin Ritchie
Model: Lauren Ritchie

Tamzin Dress - By Hand London - Two Sewing Sisters

Tamzin Dress for By Hand London

Spring is on the horizon for us, the sun is offering a hopeful relief from the chill in the air.  What does this mean for our sewing?  Dresses, dresses, dresses!  We just want to sew dresses.  We were invited to be involved in the pattern testing team for By Hand London’s latest release the Tamzin Dress which we couldn’t say no to.  It is a folky style dress that we made in a light robia voile fabric, perfect for a Spring day.  

Tamzin Dress Details

Tamzin Dress By Hand London
Tamzin Dress sketch from By Hand London

By Hand London describes the Tamzin as a quintessential folk dress. It has a square neckline that is finished with an external facing which gives the opportunity for lots of different finishes and embellishments. It has princess seams in the bodice with two different waist tie options. The 3/4 length sleeves and gathered skirt both have a stitched tuck detail.

The pattern comes in two cup sizes and in print at home or copy shop format pages.

Tamzin Dress - By Hand London - Two Sewing Sisters

Tamzin will work beautifully in a multitude of light to medium weight woven fabrics. This could be a linen, viscose rayon / tencel, soft or floaty cottons, double gauze and drapey silks.

We made the version that has the ties from the princess line, instead of the side seam. We used a ribbon for the ties as were were limited by how much of this fabric we had. We got it as a cut piece from the Salvo Store in Wangaratta so the amount was set for us.

Sourcing Fabric from Op Shops

What to look for when finding fabric in op shops? Check for any marks or damages such as pulls or tears it the fabric. If you aren’t in the practice of prewashing your fabric this is a good reminder. It removes any musky smells or light marks and prevents any heart break of your garment shrinking after its made.

Exploring your local Op Shop is a great way to find different fabrics to what might be in a more traditional fabric store. It can also be a way to pick up a bargain. In contrast it can be limiting because the pieces are already cut and there isn’t always something to pick up. It is worth checking in every so often to see what is available, you never know what treasures you might find!

We were looking in the local Salvos Store in Wangaratta for treasures and we came across this green and white checked robia voile fabric.

Normally robia voile is a cotton fabric that is recognisable by the dots but it also had a great dark green check through it. We didn’t have a particular plan for the fabric when we purchased it but knew it was a special piece. And then the Tamzin dress came along and it was the perfect pairing.

Robia Voile from Salvo Store

Constructing the Tamzin Dress

Bernina Sewing Machine

The stitched tucks are really easy to sew, just press a fold and measure for your stitch line. It is super effect and could be used on any rectangle shape. This feature is on the sleeve and the skirt, it is our favourite part about this pattern as it sat really well in our fabric.

Finishing the facing to the outside of the dress and top stitching, instead of folding it inside is a fun technique. The instruction from By Hand London explain it really well. Our fabric was already busy enough but some other makers have embroidered theirs or you could add a trim along the seam line. There are so many possibilities!

Finished Tamzin Dress

The Tamzin is a lovely style, the higher waist line that is pulled in by the ties creates a casual feeling and is perfect for a warmer day.  Because of the folky style fit there is little to worry about exact measurements and is an easy sew.  There are no zipper or buttons and it slips over the head.  Speaking of slips! Because of how sheer our fabric was we did make a plain white dress to go underneath. If you had a heavier weight or less transparent fabric you wouldn’t need to do this. 

Photography Notes

Photographer: Lauren Ritchie
Model: Erin Ritchie
Dress Pattern: Tamzin Dress By Hand London
Dress Fabric: Checked Robia Voile from Salvo Stores Wangaratta

Stitching Tuck Skirt

We have tested a few different styles for By Hand London and really enjoy their patterns. They have a mix of floating styles to fitted more formal dress like the Jenna Dress, stylish pants in the Jackie and coats including the Juliet.

Begonia by Schultz Apparel in Fabric Hoarders Micro Dots

We were really excited when we finished our Minna dress for Schultz Apparel that is had such a great sleeve, and then we saw the Begonia!  Another great sleeve again!  Thank you for Schultz Apparel for including us in the testing team for this new style. 

Begonia Dress Details

Begonia by Schultz Apparel in Fabric Hoarders Polka Dots

The Begonia style has a top and dress option. They are a loose fit, with a V-neck at the front and a deep V-neck with gathering at the back. The optional belt pulls the waist create the fitted silhouette and highlights the two tiered ruffled skirt. The silhouette is balanced with a short puffy sleeve.

Begonia by Schultz Apparel in Fabric Hoarders Polka Dots

This pattern is suited for light to middleweight woven fabric such as a cotton, linen, viscose, tencel or polyester.

We made the dress version with the v neck back from the top style as we wanted a easy to wear style and not worry about bra lines being seen.

Micro Dots in Burgundy from Fabric Hoarders

Fabric Hoarders is a small independent fabrics stores based in Echuca which is a small town on the Murray River in North Victoria. They have a wonderful range of cotton and liberty fabrics in their online store. We have partnered with Fabric Hoarders and its business owner Leanne to share with you their great selection of fabric.

For the Begonia dress we chose to use a burgundy and white cotton from the Micro Dots range. It is a sweet print with a repetition of the small white dot.

The fabric print is available in a rainbow of colours on the Fabric Hoarders website and is purchased in 25cm increments.

Check out the cutting video to see how great is to snip and tear this cotton woven fabric.

Constructing the Begonia Dress

Begonia by Schultz Apparel in Fabric Hoarders Polka Dots

The instructions are easy to follow to construct this folky style dress. The tiered skirt is constructed by joining together gathered rectangles. Instead of needing to print pieces for the rectangular pieces, Schultz Apparel gives the measurements for the rectangles. saving on printing and cutting time (not to mention the environment through the saved pieces of paper!).

The sleeve is finished with a double roll hem and the casing for the elastic is made from a bias binding. We folded the ends under and butted them up against each other lining this up with the under arm seam and threaded an elastic through to pull it in around the upper arm.

Finished Begonia Dress

The Begonia dress easily slips over the head and is drawn in at the waist with the tie.  It could be worn either way depending on your own style. The weight of the dotted cotton sits well and holds its shape in the gathered sleeve. 

Constructing this dress was quite easy as it does not have any difficult fastenings such as a button or zipper.  This means it would be great for a beginner sewer. 

Photography Notes

Photographer: Erin Ritchie
Model: Lauren Ritchie
Dress Pattern: Bergonia Pattern by Schultz Apparel
Dress Fabric: Micro Dots – Burgundy from Fabric Hoarders
Earrings by: Meli Clay

Minna Dress by Schultz Apparel

Schultz Apparel has released a stunning new pattern called the Minna Dress.  Their style is strong and feminine designs with features including large sleeves and fitted bodices inspired by vintage designs.  Minna is no exception and she is devine!  We really enjoyed being part of the pattern testing team for this style. 

Minna Dress Details

The Minna Dress has a fitted bodice, statement sleeves that gather into a cuff, and a full skirt. This pattern includes three bodice options, three sleeve options, and three skirt options. The designs can be mixed and matched depending on your style. The design is not lined but uses a facing to finish the neck edge.

The pattern is designed to be made in a woven fabric including cotton, linen and wool.

We made Design A which has a boat neck, buttons at center front, long sleeves and flip cuffs. It has a slightly gathered circle skirt.

The fabric we used was a block wax cotton that Lauren purchased when visiting London. It was from African Queen Fabrics located in the Brixton Markets. You purchase fabric by the piece that comes 120cm wide by 5.5 meters in length. This was the perfect amount for us because of the way we needed to use the pattern placement to make sure the key parts of the printed landed correctly on the pattern pieces. Schultz Apparel do not suggest that you need this much fabric, it is best to check the instructions for their recommendation about the style you make.

Constructing the Minna Dress

The fabric print placement on the cuff

The pattern suggests user an under arm invisible zipper. This is difficult to get in and out of for a garment that has sleeves. The style does not have any detail or collar in the back that would be interrupted by a center back zipper so we opted to do this instead. We hope it will provide a little bit more longevity to the make instead of straining the underarm seams trying to get in and out of an underarm zipper.

This design is not lined and uses a neck facing to finish around the neck and button area. It is a neat finish however we are also working on a version with the flat front which we chose to line the bodice of as the fabric was not as stable. We did this by cutting the same bodice piece in a lining fabric and omitting the facing pieces.

Keep and eye on your seam allowance – it is 2cm for the pattern. If you are use to sewing with other patterns your default might be 1.5cm so make sure to check the instructions in case it varies.

Finished Minna Dress

The Minna dress is such a sweet style.  We really liked the fit of the bodice.  It is easy to wear as even though it has a wider more open neckline there is no need to wear a strapless bra with it as the neckline is really well placed. The instructions are quite good, keep an eye on how to finish the cuff for option A, it is a little difficult to finish the curved split cuff.  The shape of the sleeves is fantastic and provides a strong statement. 

Photography Notes

Photographer: Lauren Ritchie
Model: Erin Ritchie
Dress Pattern: Minna Dress by Schultz Apparel
Dress Fabric: African Queen Fabrics, Brixton, London

Legends 2.0 by Stay and Stitch

Stay and Stitch have been making some changes to their business and also the layout of their patterns.  As part of this Terri the owner and pattern designer chose to update an existing pattern which was known as Legends releasing Legends 2.0.  With the relaunched she reached out to her testing community to trial the changes which we were excited to be a part of.  

Legends 2.0 Details

The Legends pattern has a few variations between bodice shape, length and sleeve options. Each option has the grown on shaped neck feature.

The pattern is made in a knit fabric with the suggested fabrics being; jersey knit, bamboo jersey, cotton/lycra, cotton/spandex, stretch polyesters, stretch rayons and moda.

Stay and Stitch have done some really lovely neck detail features between Legends and the Solace Top. The instructions for Legends marked the stitch line for the neck with a tracing wheel and tracing paper. Instead of this method we cut out the middle piece of the facing and used a tailors chalk rolling pencil to mark the stitch line. This creates the same effect and doesn’t rely on safely storing the transfer paper (messy!). Transfer paper has chalk on one side and when run over with the tracing wheel leaves the chalk mark.

For the skirt section we opted for the long length dress hem with the split in the side.

Constructing Legends 2.0

As this is a knit garment it can mostly be constructed on overlocker. We did this on our 4 thread Juki machine and finished the hem using a stretch stitch on a domestic machine.

The neck finishing is very clever around the back and easy to finish. Stitch across each shoulder and then the extension of the front is joined at the center back and stitched across the back.

The instructions suggested to close up the side seam and then put in the sleeve. There is another method where you stitch the shoulder seams, insert the sleeve head and then down the side seam. Both have the same result but the second is easier to manage easing in the sleeve head and you don’t have to worry about getting caught up when stitching in a circle around the armhole.

Finished Dress

The Legends was an easy pattern to stitch up, the instructions were very good in outlining the process.  It is a great pattern for any level of sewer as the instructions would support a beginner or be a quick guide for an advanced seamstress. 

As we are working on building up our work wardrobes we chose to make the dress is a thicker patterned knit that can be worn with tights and high heels for a winter look.  The pattern has versatile style options and could be made to suit many occasions.  

Photography Notes

Photographer: Erin Ritchie
Model: Lauren Ritchie
Dress Pattern: Legends 2.0 by Stay and Stitch
Dress Fabric: Spotlight

Solace Top from Stay and Stitch

Welcome to our top making phase!  We are great dress lovers but have been trying to fill some gaps in our wardrobe recently.  After creating quite a few Summer tops (in the middle of winter) we began to explore what options are available for some comfy winter styles.

We are not big sewers of knits but when Stay and Stitch did a call out for pattern testers for their new design we were excited to give it a go and loved it.  

Solace Top Details

The Solace Top has a funnel neck with an option to cut out the back piece on the fold or place a center back seam in it. This cutting option allows for more flexability if limited by fabric layout.

The hem has two options a curved or straight finished, both which have a side split detail.

We really loved the neck shape of this style, Stay and Stitch described it as a mock turtle or funnel neck. To help showcase this feature we chose to construct the top in a jade double knit fabric from our stash.

The pattern was easy to cut out with only three pieces; front, back and sleeve.

We opted for the curved hem to provide a nice line if the top if worn out over a pair of pants.

Constructing the Solace Top

Finished Top

This was an easy pattern to stitch up, the instructions were very good in outlining the process.  It is a great pattern for any level of sewer as the instructions would support a beginner or be a quick guide for an advanced seamstress. 

We are looking forward to making a few more versions of this top and in particular would love to make it in a textured knit.  We styled it here with jeans and a head wrap but would look great tucked into a pair of high waisted pants for a more corporate style. 

Photography Notes

Photographer: James Christie
Model: Erin Ritchie
Headpiece: Lauren J Ritchie Millinery
Top Pattern: Juliet Coat By Hand London
Dress Fabric: Two Sewing Sisters fabric stash

Juliet Coat By Hand London with Drapers Fabric

The Juliet Coat is the latest release from By Hand London.  We enjoyed been part of the testing team for this project and partnered with Drapers Fabrics who supplied us with a beautiful wool coating for the project.  The Juliet coat is fully lined and features two-piece raglan sleeves, in-seam pockets, a roomy swing shape and the option of a classic notch collar or a softer shawl collar.

Channel your inner Mrs Maisel with this perfectly retro swing coat!

By Hand London

Drapers Fabric

Drapers Fabric Fitzroy

Thank you to Draper Fabrics for partnering with us for this project. They supplied us with the lovely wool and lining for the testing of this pattern. We had a look at their online store which ships from New Zealand to get an idea of they might have available. before we headed into the Fitzroy Store.

We selected a checked blue, grey and cream wool for the outer fabric and a silk twill for the lining

Outer

Storm was the other colourway, we went with the blue tones of the London Wool

Lining

This silk twill was a perfect colour match – only available in store

Finished Juliet Coat

Construction Notes

This is a PDF pattern which means that you download a PDF file and then need to print it out. Words from the wise – copy shop. Visit your local print shop.

We did the testing for this in the first stages of lockdown of COVID19 so we didn’t feel we should leave the house but if we were to print this lovely coat again it would save so much time to get it printed on A0.

Instead Erin spent a long afternoon with tape and scissors. The other disadvantage of printing at home is that the edge of the pattern pieces fall on tape lines of the A4 pages.

The outer shell

We are big fans of under stitching, big fans! It stops seams from rolling and the underside showing where it shouldn’t. This wasn’t listed in great detail in the instructions. We should suggest under stitching the underside of the collar piece, on the facing from the hem up to the button

If you are nervous about make a coat – don’t be for this one. There are no shoulder pads or complex pocket details to worry about. Essentially make the outer shell, make the lining and stitch the together around the openings (okay there is a little more to it but that is an overview)

Juliet Coat Details

Anna Dress

We have been excited to make an Anna Dress since we saw Stitches and Sutures wearing it and it has come one of her favourites. This seemed like a great chance to give it a go.  We wanted the coat to have the iconic fitted dress and oversized coat styling.  The colours within the coat where specific tones and we found a piece of light wool suiting in our stash to that blended perfectly and did not distract from the stunning coat fabric.  

Anna Dress by Hand London

We used the higher neck bodice style of the pattern and as we only had a small amount of fabric replaced the paneled skirt with a straight skirt and back split.

We fully lined the dress in a polyester lining to allow for ease of movement in such a fitted style

Photography Notes

Photographer: James Christie
Model: Erin Ritchie
Headpiece: Lauren J Ritchie Millinery
Coat Pattern: Juliet Coat By Hand London
Coat Fabric: Drapers Fabric
Dress Pattern: Anna Dress By Hand London
Dress Fabric: Two Sewing Sisters fabric stash
Shoes: Wittner

Knots and Crosses Sewing Competition

Picking our fabrics for the Knots and Crosses Sewing Competition

On rainy Friday afternoon we visited the Flinders Lane Tessuti to pick our fabric for the Knots and Crosses Sewing Competition.  The team kindly let us sit down on the pattern table and plan out our outfits (and raid the button box)

The Fabric

The fabric for this year’s Tessuti competition was a broderie anglaise designs available in 4 colours. It had two scales of the stitching pattern in each colour. The composition was 75% cotton and 25% linen, making it versatile for a whole fabulous range of possible garments. See the full range of fabric on the Tessuti store here.

Knots and Crosses Sewing Competition Two Sewing Sisters entries

Lauren’s Outfit

I wanted to create a skirt and top that was able to worn together and with other separates. We wanted to use both scales of the stitched fabric in the garment and picking which fabric was used for each feature was important to showcase the features of the fabric and garment.

I chose to use Simplicity 5497 for my top as I like the gathered sleeve and could see how the larger scale would work through the bodice and sleeve with the smaller square for the ruffle and the cuff of the sleeve.

Knots and Crosses Sewing Competition Simplicity 5497 and Vogure 9249
Knots and Crosses Sewing Competition Simplicity 5497 and Vogue 9249
Knots and Crosses Sewing Competition Simplicity 5497
Knots and Crosses Sewing Competition Vogue 9249

Erin’s Outfit

Knots and Crosses Sewing Competition Vogue 2684

With a focus on building her corporate work wardrobe, Erin chose to make a shirt dress style number.

I chose Vogue 2684 a vintage pattern we had in our collection as I like the collar feature and built in belt detail. To highlight these features I wanted to use the larger stitched fabric on the main part of the bodice and skirt than to show the unique features use the smaller square stitching on the collar facing so it would the fabric that you see when it is worn and the belt.

Knots and Crosses Sewing Competition Vogue 2684
Knots and Crosses Sewing Competition Vogue 2684
Knots and Crosses Sewing Competition Vogue 2684

Garment Construction

Knots and Crosses Sewing Competition self covered buttons

Self covered buttons

Lauren’s top and Erin’s dress called for buttons as their closures. We chose to use self covered buttons so we were not adding in another feature or texture that would distract from the texture of the existing fabric or other garment details. The selvage of the fabric was wide enough that we could use it as the material to cover our 15mm and 19mm buttons

Knots and Crosses Sewing Competition bias hem hand stitching

Bias Tape Hem Finish

As neither of our garments had any top stitching we wanted this to be consistent in the hem. The bias tape provides a neat finish on the underside and worked well with this type of fabric as meant the hem did not rely on the overlocker skipping over the section where the raised stitching of the broderie anglaise was thick or holding together areas of the cut out holes in the fabric design.

Knots and Crosses Sewing Competition pillow case lining

Pillow Case Lining

The stitching and hole punched style of the broderie anglaise fabric meant there were areas of the fabric that could be seen through. For the main bodice parts of the our garments, we chose to line them in a white cotton fabric. As the fabric would not be seen and this was a perfect opportunity to upcycle some white pillowcases.

Hand stitching
Pinning of lining for Knots and Crosses Sewing Competition

Knots and Crosses Sewing Competition Credits

Two Sewing Sisters by James Christie Photography

Thank you to Tessuti Fabrics for running the Knots and Crosses Sewing Competion, another interesting and creative competition!

Thank you to James Christie for photographing our makes.  

You can see our 2019 Colour in Thirds entries here and 2018 Skylines Tessuti entry here.  Another few great competition run by Tessuti Fabrics

Two Sewing Sisters Erin Ritchie and Lauren Ritchie image by James Christie